Madina La Tanam | Fahd Al Ouda

Fahd Al-Awda works on the murky areas of the human self, highlighting in (A City that Never Sleeps) what is hidden, hidden and invisible of feelings and sensations. During him, he addressed the reader with a specific meaning when he said: "We are now writing to the absent, so who will write to us when we are absent?!" Through this problematic question, Fahd Al-Awda establishes his poetic scene, which is synonymous with the text, carrying significance and sound, as it seems here that it is haunted by “sounds, faces and things. It contains all the emotions of the poet, and his thoughts that filter from the shadows of the living language, And from the sensory approach between the word and the thing, and the establishment of the dialectical relationship between them, and in this sense we are facing visions represented by the philosophy of poetry as it reads the human reality...
From the poem (The Road) we read: “...between writing and the road... Both lead The same task... the only difference between them:... that you practice writing in your bed... wondering... searching... panting... crying... complaining... among the alleys of pages in search of answers that heal... Your heart... your memory... your chest... until your tears!... As for the road: as strangers say... a path you walk with armament... I own your love without realizing where it can take you!"...
The book includes prose texts under the following titles: "Our Old Faces", "Friend in Hand", "We Only Stutter Twice", "They Forget You", "Barefoot on Hope", "I Love You Mom", "Memory is a City that Never Sleeps" ","How"...and other titles.