Brand: RIMAL
MODEL: 9963610803
Ard Al Bortoqal Al Hazeen | Ghassan Kanafani
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The Land of Sad Oranges depicts in its various stories the many faces of the Palestinian tragedy, as if it wants the story to be a mirror of reality and memory, and for language to be a set of multiple bends in front of the human pain that is embodied in this mirror.
The Land of Sad Oranges is an attempt Kanafani II to establish his creative vision of the Palestinian horizon, which he seeks to paint with his words. The horizon comes mixed with memory, as if the Palestinian could not be freed from his memory in moments of astonishment in front of the tragedy, or as if this memory would be the gate through which he would cross to where he discovers the only possible way to himself.
The Land of Sad Oranges is an attempt Kanafani II to establish his creative vision of the Palestinian horizon, which he seeks to paint with his words. The horizon comes mixed with memory, as if the Palestinian could not be freed from his memory in moments of astonishment in front of the tragedy, or as if this memory would be the gate through which he would cross to where he discovers the only possible way to himself.
29.0
100.0
200.0
AED
29
Easy Payment Plans
More Info
The Land of Sad Oranges depicts in its various stories the many faces of the Palestinian tragedy, as if it wants the story to be a mirror of reality and memory, and for language to be a set of multiple bends in front of the human pain that is embodied in this mirror.
The Land of Sad Oranges is an attempt Kanafani II to establish his creative vision of the Palestinian horizon, which he seeks to paint with his words. The horizon comes mixed with memory, as if the Palestinian could not be freed from his memory in moments of astonishment in front of the tragedy, or as if this memory would be the gate through which he would cross to where he discovers the only possible way to himself.
The Land of Sad Oranges is an attempt Kanafani II to establish his creative vision of the Palestinian horizon, which he seeks to paint with his words. The horizon comes mixed with memory, as if the Palestinian could not be freed from his memory in moments of astonishment in front of the tragedy, or as if this memory would be the gate through which he would cross to where he discovers the only possible way to himself.
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Books
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118
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