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Habibi - Craig Thompson

22-09-2011

Hardback

Publisher: Faber

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Habibi

Habibi
Based on a Middle Eastern fable, this title tells the story of Dodola, who escapes being sold into slavery and rescues an abandoned baby she names Zam.

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Product details

"Habibi", based on a Middle Eastern fable, tells the story of Dodola, who escapes being sold into slavery and rescues an abandoned baby she names Zam. They live in isolation in an old boat in the desert. As they age their relationship shifts from mother and son, to brother and sister and eventually lovers. In the meantime however Dodola is forced to prostitute herself to desert traders in order to provide for Zam. When he seeks an alternative means of income Dodola is captured by the Sultan and Zam is forced into a quest to try and rescue her. At heart Habibi is, like Blankets, a profound love story, but it also functions as a parable about the environment and the state of the world. Set in the place where Christianity and Islam began, it explores the fundamental connection between these religions, and also the relationship between the first and the third world and the increasingly important battle for the earth's resources. Ambitious, but always deeply felt, "Habibi" is a beautifully drawn and moving graphic novel that will get a huge amount of attention.

publisher
Faber

Specs

Books
Number of Pages 672

Reviews

Press
"This is not just an epic that sprawls from desert to harem to modern urban waste...it's a look at how the first and third worlds are divided, Islam and Christianity united, and humanity too separated from the natural world. Ambitious." -"Library Journal" "A dense, swirling dervish of a tale...this will be the most talked about graphic novel of the fall." -"Publisher Weekly" "A lushly epic love story that's both inspiring and heartbreaking...In addition to richly detailed story panels, the gorgeous Arabic ornamental calligraphy makes each page an individual work of art." -"Publishers Weekly," starred review ""Habibi" lifts the bar of graphic storytelling to new heights, both by the intricate, dramatic density and breathtaking scholar-ship of Thompson's panels and by the sheer scale and decorative beauty of his flowing, roiling, protean style. Thompson is the Charles Dickens of the genre, able to capture all the scary, heartbreaking, brave, uplifting details of h
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